House on the Borderland Movie!


Some time ago, I posted about a movie adaptation of Hodgson’s classic novel, THE HOUSE ON THE BORDERLAND, that was starting up. It’s been a bit of time but I’ve just heard from the people behind the project who have just began a Kickstarter to raise backing funds.

Andre Martin, the man behind the project, had this to say:

The highlights of the project this far, for the fans, would be that we are sticking meticulously close to the source material and my main goal is to do it justice.

There is no doubt that this material is visually challenging but we feel it can also be one of the most visually stunning films ever created.

There have been some Hollywood heavyweights attached to the project in the past but they all wanted a dramatically different adaption, changing characters, time periods etc. We have had a solid script for almost a decade that doesn’t deviate far from the novel at a plot level.

Creatively I do have my own interpretations but they only work to expand the character and story while adding depth and weight to their existence. Such as a backstory for the Recluse to draw from, a deepening dynamic between the recluse and the lost love. Also, I don’t think any incestuous innuendos are necessary to capture the story for the modern audience. We do develop the sister-brother relationship a bit and also even Pepper’s past.

We are in talks with two persons of note, that will be a great asset to the project including the music composer Spencer Nilsen, who can create an incredible, atmospheric tone for the film. Tom Woodruff Jr, is considering the creature design/direction, who will bring the infamous Swine Things to life and if we raise the funding, I’m confident we will secure them both.

We are aware of Echoes of the Borderland and have contacted the German music group with talks to use at least one track in the film during the “Plain of Silence” sequence. They have already agreed, years ago.

This is very much a film for the fans, because I am one.

We have arrangements with several castles in Northwest Ireland area, to film at. It is also possible that the filming to take place in the U.S. will be at an old castle, that we will end up rehabbing for an economically depressed community. When the filming is done, we will leave behind the improved structure to the Economic Development Board. Pretty much I have arranged to film most of my interior shots in LA on stateside but we will definitively take a unit to Ireland to film an authentic House on the Borderland.

I have many crew positions and talent roles filled with professionals denoting their time or working “under scale.” For the most part they are not “big names” but we have all been at this independent film game for quite a while now. They all have working experience and I trust them to work with me in bringing this tale to moviegoers.

Christopher Karl Johnson is cast as our Old Recluse and I tell you he is absolutely perfect. There will be a younger version of the recluse and his long lost love in flashback sequences.

I am thrilled to hear that this project is moving ahead. For years, I have been mystified at the fact that Hodgson has not been adapted more for films, TV or comics. At last we will get an adaptation that promises to stick close to the actual book. The possibility of filming in Northwest Ireland is very exciting and I have great hopes for this production.

Hopes, however, that will not be met unless the Kickstarter is funded. In movie terms, they’re not looking for a lot of money so I hope that readers of this blog will support this project. You can check out their Kickstarter here.
We look forward to sharing more news of the production as we learn them and hope to have a Q&A with Andre Martin here on the blog very soon.

 

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1 Comment

Filed under William Hope Hodgson

One response to “House on the Borderland Movie!

  1. Pete

    The short “proof of concept” on their Kickstarter page doesn’t exactly inspire confidence. While I hate to be negative about what are obviously genuine efforts, I do have some experience in film production and post production and I’m pretty certain that to make this work the way Hodgson wrote it, with SFX to match, would costs many millions.

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